"The Cat's Table" by Michael Ondaatje

I have not read The English Patient, but it should arrive in a couple of days, so I guess I'll just have to be patient (wah-wah). My mother, however, in a wonderful act of literary enablement purchased two books for me about a month ago.

Studio is over. I have one final exam. Let the reading begin!!!!!

Yesterday (Tuesday, Nov. 29), I had a migraine, most likely caused by a serious lack of quality sleep prior to my final project submission in studio and the sudden draining of adrenaline from my system, ditto. I stayed in bed all day and subsisted on gluten-free blueberry waffles and Greek yogurt and hot chocolate.

And I read, Dear Reader! Oh! How I read!

I read Michael Ondaatje's The Cat's Table, which has been sitting on my bookshelf for weeks, beckoning me with its come-hither book-jacket, seducing me with the promise of what lay hidden beneath said book-jacket, and occasionally falling to the floor in a pathetic bid for attention. After playing hard to get, I finally succumbed to its promises, yesterday.

And promptly read the whole thing.

As expected from a Booker Prize winner, The Cat's Table is beautifully written and (I'm getting ready to use one of my most over-used words, here) compelling. I couldn't put it down. It is, in fact, the reason I took a bath, yesterday, in lieu of a shower: it's difficult to read in the shower, but oh so easy in the bathtub.

I sacrificed hair hygiene for a book! That is not a common occurrence.

The story follows a young boy (Michael) and two other boys who are traveling alone from present-day Sri Lanka to England. They get into all sorts of trouble, on board, and are charmed by the other passengers assigned to sit at the dinner table of least prominence in the dining hall, also know as the Cat's Table.

Over the course of the journey, the reader discovers that the people on board are not what they appear to be: the lonely old (not so old) spinster is most likely an agent for MI5, and the kindly botanist who has a crush on Michael's cousin smokes pot in the hold of the ship. There is a prisoner, on board, who the boys observe secretly when he comes out from the hold at night for his daily walk above-deck, dressed in leg-irons and manacles to prevent the criminal from escaping.

The effects of the journey stay with Michael, later in life, and the story is told from his vantage point as a grown man with one failed marriage behind him, who still clings to the idealized person of his older female cousin, Emily, who perhaps had the greatest secret of everyone on board.

I recommend it. Highly.

On the strength of its impression on me, I even ordered The English Patient (also written by Ondaatje, and winner of the Booker Prize). It should be here in a couple of days, by which point I'll have worked my way through Eugenides' The Marriage Plot, which I'm also enjoying. I'll give a review of it, after it's finished.

Bad blogger! Bad! Bad blogger!

As I cower in the corner after that chastising, I'm coming up with a bazillion-willion-Brazilian excuses for why I haven't written in almost a month.

The main one is this: I'm doing this thing called "grad school" which is like having two full-time jobs, so there's very little time or energy left for blogging.

School is going well, however, as we near the end of the semester. Granted, my life is about to become insanely busy, but that can't be helped. "Pencils down" on our semester design studio projects is at midnight on Nov. 27, so until then, I will be in ohmygodIhavesomuchtodoIthinkI'mgoingtodie mode. My studio-mates and I recently began joking (sort of) about injuring each other so we could maybe have more time to finish the projects (or at least have an excuse for not finishing).

Other than the fact that I will have no life outside of school until Nov. 28 at 5:00 pm, things are going well. My migraines are still pretty rare, I have been approved for health insurance through the Texas Health Pool insurance program (!), and I ordered the new iPhone 4s, which should arrive today, along with its attendant accessories and a 6-pack of socks I ordered from Amazon.

Shine on, you crazy diamond.

On the downside, that health insurance costs $600 per month, I owe Dr. Pain $1,738.33 for Botox injections, and I was in a fender-bender last Wednesday while sitting in line to get iced tea at Chik-Fil-A. I only just reported the accident, today, though, because I've been so stressed out about other things. Monday morning, I'll have the (incredibly minor) damage assessed at a local car dealership to see how much it will cost to fix it, and to discuss what should happen if hairline cracks appear after a couple of months, because that happened in another little wreck I was in years ago, when I didn't see any damage initially.

I have learned my lesson, dear reader.

Now, if you'll excuse me, I have gobs of work to do, designing an underground research facility in Death Valley so I'll be able to turn it into a physical model by Nov. 27, at midnight.

Off to Dallas!

I am excited.

I am beyond excited.

Ecstatic might be the appropriate word.

I am going to Dallas for the weekend.

Not only will I get to see my family - both biological and the family we've chosen - but I will get to help my mom celebrate her birthday, albeit a little bit early. And I will get to see Major Tom Shadowmaker, who is taking it easy, these days. I miss the old fellow.

Unfortunately, I will have to work some over the weekend.

I am now entering the first stages of design for my 6-8 week studio project, after managing to pull an A on the Run Lola Run film center I designed in two weeks. My long-term project is a research center in Death Valley (again. My choice, though, this time). I'm thrilled, because I will get to expand on some of the ideas I explored in the previous 2 week project, and get to take them further.

For my last project, I buried the majority of my program underground, with parts of it popping out in the form of concrete cubes. This time, however, I'm going all the way. Yup, my program will be entirely buried with the exception of a few canyons/light wells dug out of the earth for entrances and, duh, light.



In other words, I am about to design some high-falutin' Hobbit holes. I couldn't be more excited.

I've always loved "nesting", both in the sense of decorating interior spaces, but also in terms of physically burrowing. My mother used to tease me because I did not sleep beneath my duvet, but wrapped it around myself, like a swaddled baby. I still wrap blankets around myself, although the duvet is now used more conventionally, rather than as a beautifully designed albeit zipper-less sleeping bag.

And my project idea - burrowing into the hills of Death Valley - has precedent in this area: it's how the kangaroo rats of Death Valley keep themselves cool during the day.

P.S. The migraines are better. Much better. I've had one in the past week. Everything's coming up roses!

Two Nights in a Row! Wowzers!

I mysteriously have time to write, tonight, which fills me with dread. I feel like I should be doing something for my design studio - but I'm not.

Oh, sure, I'm researching for the enormously huge research paper (that isn't so enormously huge) that I have to write for my Modern Architectural History class, but that's pretty fun. A lot of fun, actually.

I might just chuck this whole architecture thing and go be a research assistant for someone, because I can seriously sit and read books on anything all day. And take notes, that go on nicely organized note cards with little sticky labels (pre-printed in a nice sans-serif font) in the top left corner that tell me where I got the info, the page number in the top right corner, and filed under the section of the outline to which it belongs in a nifty note card organizer that was $4 at Office Depot.

I get to combine my obsessive love of organizational tools with reading!!!!!

It's like I died and went to heaven! And heaven is a Container Store with a built-in library! And maybe a Starbucks with Tom Selleck as the barrista...

Okay, so maybe I couldn't read books about anything (I'm not too keen on string theory, nuclear reactions, and electrical engineering, so I'd restrict myself to history, the arts, and anthropology...even though the other two kind of fall under the third?).

Right now, however, I am eating up all this Le Corbusier and Soviet Russia.

See, Le Corbusier had "a thing" with Russia in the late 1920s, early 1930s, when the Soviets started to organize themselves and figure out what, exactly, the Communist state should be (an autocracy, apparently). He had one project built there, and entered a couple of other competitions, which he did not win because he was a Swiss bourgeois pig-dog.

Or something.

But his relationship with the Russian Constructivists he met shaped his future works profoundly. And it's fascinating reading about the impact Communism had on art and architecture, and how architecture was not just seen as something pretty to live in/look at, but as something that could change the nature of society. Architecture was, in and of itself, revolutionary, and I don't just mean "look: that's new" but "we can bring down governments with this building" revolutionary.

The whole idea is mind-boggling to me.

Mind-boggling and fascinating.

All Quiet on the Southeastern Front... and Etymology

It's been a while. It's been at least a month.

This grad school thing is totally interfering with my literary life.

No, really. I can hardly indulge my creative writing proclivities, these days, be they blog-geared or otherwise.

Heck, even my interior design magazines are on the back-burner, mostly flipped through hastily while I wait for the shower water to heat up, or while I scarf down some Whole Foods rotisserie chicken - because like heck I have time to cook!

So between school work and migraines - because, yes, those are back in full swing - it's been difficult to get to the ole blog for some writing.

Part of what's made my recent life so hectic is the nature of the projects we have in design studio. They've been 2 week charettes - I'll explain what a charette is, in a bit - that have required all the graphical and model-building dexterity of the more usual 6-8 week project, and they've been killers. A pavilion for a site near downtown Houston, a hikers' refuge in Death Valley, and then a film center, built for the director/video artist of my choice (I chose Tom Twyker and Run Lola Run for the film center. The exterior involved lots of red splashes).



A charette, for those not in the know, is what a short, flurried burst of design activity is called. The term comes from the French word for "cart."

"Huh," you say. "That makes no sense at all."

Oh, Dear Reader, but it does, if you know your architectural history.

The term originated with the Ecole des Beaux Arts in France. In those days, the school had projects due all at once: and when it was due, it was due. Every bit of it. The instructors sent a cart through the corridors of the school, and students put their projects on the cart. Occasionally, a student wouldn't be finished, and so they would put their project on the cart, and put themselves on the cart, as well, so they could finish their assignment while it rolled down the hall.

Seriously. How gutsy was that?

So, if you are working feverishly in the last few hours before your project is due in architecture school, you are en charette, or as we now say, "on charette."

You learn something new every day, don't you?

Ready, Set, Render!

I have a project due Monday at noon. I have two presentation boards almost completed, and part of a model to finish. For once, I managed to cut all the pieces for my model well before the date of presentation, and my almost-completed model is awaiting its context (a.k.a. the site) and possibly a bit of sanding before it is finished.

Possibly a bit of sanding. Possibly not.

What concerns me, right now, is the fact that I am about to import a model from a dumb yet wonderful program called SketchUp (it's free, by the way) into Rhinoceros so I can render it with a fancy schmancy expensive program called V-Ray.

Okay, so it wasn't that expensive (the student version cost $250. Yes, I actually purchased it. Legally), but every penny counts when you're a student.

When you spend upwards of $1000 per month on medical bills, every penny counts even when you're not a student.

I'm nervous about rendering, so I'm putting it off. Procrastinating.

I have no experience with rendering. I don't know how to add lamps/lights to my model to make it look its best. I don't really know much about textures and creating them. It's all confusing, and there are so many variables.

So I'm writing a blog post. The first in two weeks by the looks of it, and listening to thrash-metal, and pondering calling it a day and going to sleep so I can wake up early tomorrow morning and get to work feeling fresh as a daisy.

Or fresh as a petunia.

Or some fresh little flower.

(Insert "flower power" joke here).

The Rhinoceros in the Room

There is a Rhinoceros in the room. And a Grasshopper. And two vizslas.

The vizslas are being quiet.

No. I take that back.

They were being quiet, until I got up to remind the female vizsla (Miss Scarlett) that her sheep toy is an inside toy, and she cannot take it outside. Her half-brother (Butler) decided to try to distract me while his sister made her getaway, but failed. He is now trying repeatedly to climb into my lap.

He's a 50 lbs. lap-dog.

I am currently dog/house-sitting for my sister and her husband while they take my niece on her first real vacation. It's kind of strange, having this big old house to myself, but also enjoyable. It's a nice break from my own little apartment.

What about the Rhinoceros and the Grasshopper? you ask.

Well, they're both in my computer, which doesn't look like a Rhino could squeeze in, but it's possible, trust me.

Rhinoceros is actually a 3-D digital modeling program. I used it for the first time about 5 years ago, during my last semester of undergraduate study. In all, prior to this semester, I had approximately 2 weeks of experience with it. I eventually gave up on it and used AutoCAD, instead.

This time around, I have to use Rhino, because I have to use a sub-program/plug-in called Grasshopper that goes with it.

Neither of them are easy to learn, but I'm getting there. It's a heck of a gear switch, going from a program like Revit, which essentially does everything for you, to having to write algorithms of a sort for Grasshopper.

My new professors are devotees of parametric architecture: architecture that responds to its context in mathematical ways, in other words. It's the sort of architecture promulgated by the likes of Zaha Hadid and COOP HIMMELB(L)AU.



Until I began my Master's work, I frankly didn't understand parametric (aka generative) architecture. The professors I had in my undergrad days were all die-hard modernists. They were obsessed with Le Corbusier and Mies van der Rohe. I admire both of these architects (except for Le C's city planning ideas: those were just bat-s*** insane).

Now that I understand more of the theory behind parametric design, I have a greater appreciation for it and a greater desire to continue studying it.

Time to see if my model has finished generating, yet. (Let's say a little prayer, shall we?)